Angebote zu "Balanced" (12 Treffer)

Klotz Mk060tt Bantam Tt Patch Cord Balanced 60 ...
€ 21.00
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€ 17.00 *
zzgl. € 4.79 Versand

MK060TT: Patchkabel: 4,4 mm Bantam - 4,4 mm Bantam/symmetrisch/ MK..TTLänge: 0,60 m, Farbe: schwarz

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Klotz Mk600tt1 Bantam Tt Balanced Patch 6 M Black
€ 29.00
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€ 25.00 *
zzgl. € 4.79 Versand

Eine Frage ? Eine Beratung ?Unsere Mitarbeiter stehen zu Ihrer Verfugung, wenn Sie technische Fragen haben oder nur einfach eine Verfugbarkeit kennen mochten. Bitte rufen Sie uns an, ein deutschsprechender Kollege wird Ihnen beantworten.

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Yellow Cable P060s 1/4 Phone Balanced (stereo) ...
€ 4.95
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€ 4.70 *
zzgl. € 4.79 Versand

Eine Frage ? Eine Beratung ?Unsere Mitarbeiter stehen zu Ihrer Verfugung, wenn Sie technische Fragen haben oder nur einfach eine Verfugbarkeit kennen mochten. Bitte rufen Sie uns an, ein deutschsprechender Kollege wird Ihnen beantworten.

Anbieter: Woodbrass.com
Stand: Sep 8, 2018
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Klotz Tp414.a - Balanced Stereo Patch Cable Bul...
€ 272.00
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€ 219.00 *
ggf. zzgl. Versand

Professionelles Mikrofonkabel.Highlights- kälteflexibel bis -40 °C- extrem robust (PUR-Mantel)Technische Daten- Leiteraufbau: blanke Cu-Litze, 28 x 0,10 mm- Leiterquerschnitt: 0,22 mm²- Isolation: HDPE- Aderanordnung: 2 Adern + Baumwollfäden verseilt- Abschirmung: blanker Cu-Wendelschirm- Außenmantel: PUR- Außendurchmesser: 6,0 mm- Min. Biegeradius: 30 mm- Betriebstemperatur: -40 °C / +85 °C- Leiterwiderstand: > 85 Ω/km- Kapazität Ader/Ader: 60 pF/m- Kapazität Ader/Schirm: 110 pF/m- Isolationswiderstand: > 100 MΩ x km- Farbe: schwarz- Gewicht: 40 g/m- Länge: 100 m- Gesamtgewicht (Kabel + Kabeltrommel): 5.05 kg

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Coleman Audio Ph1 Schwarz Series 500
€ 330.00
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€ 269.00 *
ggf. zzgl. Versand

Stop the interface nightmare and start evaluating your clients music on your control room monitors, not on earbuds or a cell phone speaker. The PH1 500 Series module is all you need. Just patch the headphone output of the smartphone, laptop, or tablet into the PH1 input and you´ll get a balanced stereo output with the correct impedance to match up to your monitor controller or console. Since it´s in the 500 rack it´s always connected and ready for a quick reference check.Features- Lunchbox connection- Stereo level control- Smartphone or device input- Input cable 1/8 mini included- Male to Male XLR gender change for stereo output included

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Coleman Audio Ph1 Rot Series 500
€ 330.00
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€ 269.00 *
ggf. zzgl. Versand

Stop the interface nightmare and start evaluating your clients music on your control room monitors, not on earbuds or a cell phone speaker. The PH1 500 Series module is all you need. Just patch the headphone output of the smartphone, laptop, or tablet into the PH1 input and you´ll get a balanced stereo output with the correct impedance to match up to your monitor controller or console. Since it´s in the 500 rack it´s always connected and ready for a quick reference check.Features- Lunchbox connection- Stereo level control- Smartphone or device input- Input cable 1/8 mini included- Male to Male XLR gender change for stereo output included

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Hughes & Kettner Redbox 5 Active Di & Guitar Ca...
€ 111.00
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€ 89.00 *
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Since its late-´80s release, the original Hughes & Kettner Red Box has been the standard tool for capturing the sound of guitar amps without using microphones. The Red Box 5 is the latest version of the award winning industry-standard DI box with speaker simulation, now with new filtering options for small/large housings, modern/vintage speakers, and loose/tight response of the cabinet. It delivers unvarying sound quality at every gig or recording session, putting an end to crosstalk with other instruments or hassles of experimenting with microphone placement.Thanks to this clear, direct sound, Red Box 5 will endear you to every seasoned PA tech and studio engineer. The Red Box does not sound like a mic´ed cab, it sounds likle the cab itself! And the secret behind many of today´s best sounding guitar tracks is that they are double-tracked with a microphone and a Red Box, or that the pure Red Box signal is run through microphone- and room-emulating software plug-ins. This enables a perfect mix of ambience and ultra-direct attack.ConnectionsThe RED BOX 5 provides one unbalanced ¼ (6.3 mm) jack input (IN) for line and speaker signals and two different outputs: One unbalanced ¼ (6.3 mm) jack (THRU)lets you patch through the unprocessed signal to the cabinet. One balanced XLR connected lets you feed the processed signal to a mixing console. Note that some mixing consoles do not provide phantom power. In that case, the RED BOX 5 is ready for an optional power supply and comes with a compartment accommodating a 9 V battery.

Anbieter: Woodbrass.com
Stand: Sep 9, 2018
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Heritage Audio Mcm-32
€ 3598.80
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€ 3589.00 *
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Heritage Audio is pleased to announce its new range of rack mountable analog summing mixers. Comprising vintage quality sound with sophisticated routing options, they are the perfect partner for hybrid setups, integrating analog gear with your DAW.The MCM-32 employs a unique configuration, offering 32 input channels arranged into 4 subgroups of 8. Each channel features center detent Pan and Fader concentric controls plus balanced insert and mute switches.The insert send points always have the signal present, so they can be alternatively used as direct outputs for recording without additional patch bays.Each group has its own stereo fader and balanced insert point and all 4 stereo subgroups are passively summed into the master bus. The gain is restored by means of a 1073 style class A, transformer coupled, mic preamplifier, featuring a total of 4 transformers (1 input one output in each channel).The master section is also provided with its own balanced insert point.All connections on the back are made by DSUB 25 connectors following the Tascam protocol, with the exception of the master bus connections, which are by dedicated XLRs.VINTAGE SOUND QUALITY AND LOW NOISE. The smart summing topology employed in the MCM series of mixers allows for an impressive headroom and surprising low noise figure for a 32 channel, vintage topology mixer. Special care has been taken on improving crosstalk and self-noise figures from those on the vintage designs in order to accommodate the new MCM mixers into the digital era.The transformer based class A output stage is able to deliver a full +26dBu output.Specifications:• Channel Input Impedance: Greater than 20 Kohm.• Maximum channel input level: Greater than +26dBu• Maximum insert return input level: Greater than +26dBu• Maximum insert send level: Greater than +27dBu, able to drive 600 ohm.• Maximum output level: Greater than +26dBu into 600ohm.• Frequency response: ±0.5dB 20Hz to 20kHz• THD + N: Not more than 0.07% from 50 Hz to 10 kHz at +20dBu output (22 Hz to 22 Khz bandwidth) into 600Ω.• Noise, all faders up, all subgroups in, measured at the main output, 22Hz to 22Khz: Better than -80dBu

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Heritage Audio Mcm-204
€ 3598.80
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€ 3589.00 *
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Heritage Audio is pleased to announce its new range of rack mountable analog summing mixers. Comprising vintage quality sound with sophisticated routing options, they are the perfect partner for hybrid setups, integrating analog gear with your DAW.The MCM-20.4 employs a unique configuration, offering 16 input channels arranged into 2 subgroups of 8, plus 4 more channels hard wired left and right in pairs. Each front channel features center detent Pan and Fader concentric controls plus balanced insert and mute switches.4 auxiliary sends are provided; being AUX 1 &2 mono sends, while 3 is Stereo. Sends can be done Pre or Post Fader. Master send levels are provided as well.The insert send points always have the signal present, so they can be alternatively used as direct outputs for recording without additional patch bays.Each group has its own stereo fader and balanced insert point and all 4 stereo subgroups are passively summed into the master bus. The gain is restored by means of a 1073 style class A , transformer coupled, mic preamplifier, featuring a total of 4 transformers (2 each channel).The master section is also provided with its own balanced insert point.All connections on the back are made by DSUB 25 connectors following the Tascam protocol, with the exception of the master bus connections, which are by dedicated XLRs.VINTAGE SOUND QUALITY AND LOW NOISE. The smart summing topology employed in the MCM series of mixers allows for an impressive headroom and surprising low noise figure for a 20 channel, vintage topology mixer. Special care has been taken on improving crosstalk and self-noise figures from those on the vintage designs in order to accommodate the new MCM mixers into the digital era.The transformer based class A output stage is able to deliver a full +26dBu output.

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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Drawmer 1960
€ 2922.00
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€ 2169.00 *
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There is little doubt in the minds of many engineers and producers that vacuum tubes possess a unique sound quality providing a warmer, more alive sound. Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding soft knee vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided. This powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console.The Compressor : Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title ´Threshold´ has been retained for the amount of compression control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.The attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a-choice of slow, medium and fast whilst release has six settings. Positions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear.Because compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch.The side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal. By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having.In addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.

Anbieter: Woodbrass.com
Stand: Sep 5, 2018
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